Why Not?

Imagination, Displate by Dorian Legret

Why can it not it all be viewed, perceived, as the One Creative capacity interacting with Itself, appearing as others and/or things? Why not start there…now?

If Source, God, the Tao is the singular creative capacity behind all that appears, is it not simple to see expressions of such in a different light? As inseparable from, and reflections of, that infinite creative capacity.

“You,” as a lens are the backpacker in the illustration, creating/observing the infinite possiblities. And what is creating/observing you?

Your objection to this perspective would be…what?

To A Friend

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Shhh…now, Grasshopper. Be still for a moment.

If you let go of that question, that complaint, that frustration, that need, that anger, that belief/assumption—-its all mental, right? Let it all go by. And make no demands upon the bodily reactions to those mental instigations, just acknowledge how the body is playing its part in the scene building. If there is this pause, this intervention, two things can/will happen. Continue reading

Cease and Desist

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Here’s the unequivocal thing: Nothing in this dreamstate makes sense. It is made, as an appearance, by an incoherent, split mind, exhibiting and manifesting nothing but fragmented reality from fragmented thinking. The experience of living in this incoherent world is then a striving to make sense of, and find solutions for, the “problematic” situations in which we appear to find ourselves. Like Don Quixote and his giants.

“What giants,” asks Pablo Sanchez? Continue reading

The Triune Self – A Beautiful Read

Doesn’t matter if you’re done, faking it, or you’ve given up–this book,  The Triune Self, Confessions of a Ruthless Seer, by Mike Singer, is worth a read. Worth reinvesting any time you’d be spending doing anything else. It is a joy and a thump-to-the-chest kind of read.

Perhaps you might, out of habit, respond–“There’s nobody out there,” or “I already get that,” or some such equivocation like, “Another spiritual book? Really?” Yes, really. Something about these words truly pierces to the heart of the matter, and I mean that almost literally. There’s something about Mike…

Such a totally and unflinchingly honest and earnest reflection. It might bring joy, or it might scare the ever-livin’ spiritual pants off of you. Perhaps a more suitable subtitle would be, “The Reluctant Sage,” though my guess is Mr. Snider might quibble with the “sage” handle.

Here are a few quotes, though I hesitate to parse it out ineptly, when the whole speaks for itself:

On life:

“I find the whole of it is benevolent imagination any way you cut it, no matter how crooked it appears.”

On effort, non-effort, pointing:

“It means nothing to those who have their most essential nature pointed out to them if they haven’t struggled for its recognition.”

On self:

“He seems to be more interested in his objectified universe than he is in the mysterious wonder that registers it.”

On the spiritual marketplace:

“All the theatrical drama that enshrouds this obvious and simple Truth we all are, pissed me off when I finally came to See.”

 The Kindle version is available here.  I cannot remember the last time I bought a book, or even how I landed on this listing, but for whatever reason, I downloaded the sample and when it ended, I just wanted to keep reading. And though I don’t seem to have much spare change these days, if there was an audio version, I’d probably buy that as well, just to hear Mr. Snyder sing it. It’s what we’re here for.

Not Two Ways of Being

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In seeking, the assumption is that there is something else, something more–that there is some other way of being, or something or somewhere to which one gets or arrives.

There is perhaps another way of seeing, but nobody goes anywhere. It’s not out there somewhere, or down the road.

There is this appearance, or what seems like a variety of appearances, including the apparent self, or most notably some kind of feeling state, that is perceived as this way or that. Usually, some version of suffering, or not. Awake, or asleep.

There are appearances…and that’s it! To talk about “false” and “true”, or real and unreal is misleading. The false is just the way the true appears as something it’s not, through an amazing feat of creation that appears as me, as the world, as many apparent things and circumstances. But it’s all as true as it gets.

So it cannot even be said that appearances are false, and awareness, the backdrop and creative force behind appearances, is true. Because what else is there?

Form is the expression of the otherwise inexpressible Formlessness. That’s all there is. Like “all there is” to a dream.

There’s no way out of this expression. But maybe the mind just tires of its drivel, gets weary of the whole ruse of seeking. It wears out, so to speak, and sees the futility of keeping up the charade, attempting to prop up the eternal emptiness, of form. Ever been close to an elderly person as the mind and body wears out?

Yet here it is, anyway you look at it. No one ever went anywhere, like in a dream, but the dream appears to go on. Because it appears to still take some kind of form.

Isn’t that just marvelous? Nobody has to go anywhere or do anything, because there’s no parts or places. Suffering is believing there is something else, something more, something better, when here it is.

The entrance to the tunnel is seen in and from the same place as the light at the end. There is no distance. It’s an illusion, but it’s all we’ve got, for now.

 

Around the Broken Heart

The story is strong; the story is saddening. The way things appear to be today, this disjointed, split vision of the world–yes, there is grief, but who or what are you in response?

There are not two worlds–one of peace (can I not find/return to it?), and one of painful division (please make it stop!).

There are only infinite perspectives, emboldening the division, or holding the peace. Can we not be the benevolent, generous, whole heart that surrounds and holds the broken heart that appears as the world?

Be as you truly are, the undivided that surrounds the perceived division. You/we are more than big enough.

Feeding Wolves and Wearing Wolf Suits

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In the post, What Remains, the point was made that nothing, no circumstance has duration; nothing is fixed. So what makes any situation, problem, or identification appear to have duration and substance? What makes it seem real and seemingly long lasting?

Attention.

Seeing this, that past and future are nothing more than random images and thoughts happening now, changes everything. How you can have a solid sense of self, or anything else, if there is no fixed past or future image for it to have been or to become? Attention to, to the point of what could be called “fixation,” is what appears to give it (anything) life.  Experience is quite literally determined by the wolf you feed.

The wolf is the problem or the identity. Attention is how it is fed.

Attention to fearful thoughts and emotions, creating deeper and deeper reality tunnels–is no different than being in the midst of a dream, a nightmare, and forgetting that you are asleep. If there is, for instance, a medical issue, by all means, seek medical attention. But then what? Is a diagnosis what you are? Or is it what you think about, and feel all the time? There is a mental proclivity to do just that, of course, but who or what are you absent the fixed attention on a thing apart? Shift attention away, from everything. Catch that, even if just for an instant. The sky is still wide open above you. Attend to that openness.

Max in his wolf suit, in Where the Wild Things Are tells the whole story. There really are no wolves, only kids in wolf suits, imagining things to be a certain way. But eventually it’s time to go home, to your own room, where dinner is waiting, and it’s still hot.

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Where the Wild Things Are, by Maurice Sendak

Loops

So it’s as if there is this imaginary line between you, and me, and everything else. The line creates loops, and looks something like this: (Me and others and experience)loopsThe wonder is that each loop tends to mistakenly believe in its own isolated identity. The interior of the loop becomes crowded with (tinyplus or tinyminus)images, feelings, ideas, beliefs, and everything seems to be experienced entirely within that loop as a function of those inner fluctuations. “I” live within, and am defined by, this loop. And all this from an imaginary line that seems to divide the world into parts. It feels very real within the loop, but it’s still a part of the imaginary line.

plus&minusLoops, by the very nature of the line, can and do change all the time. One loop (within the continuous line) can look look, at any given time–when a belief, opinion, or perspective is changed, or it just changes shape, or loses volume:

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—–>Not discrete parts, or other than.

 

What you think you are–name–is this ever changing, expanding, contracting loop, that appears to interact with other loops. How can the illusion be maintained that you are this loop or that, given its changeability, and its unreality as a discrete entity, separate from the imaginary line that creates that loop?

What happens when you pull the line taut, and all loops disappear, along with their specific qualia, left to float free, attached to no body and no thing? No loops. No parts. Just an imaginary line that is done playing loop de loop.straightline.jpgYou are not that loop. Nor are you defined by the tinyplus or tinyminuscontained within the loop, that only seem to define you.

Please contact me if you wish to discuss your loopiness, or other distractions. Thank you.

Acting!

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Image by Andrew Ostrovsky

The One Thing, the Life Force, is always acting as if it is one thing or another. You can hear it in the voice of an imperious pretense. Perhaps it seems like your own voice, or another’s. But there is only one voice, one sound. Not this person or that, but this aliveness pretending, in high drama, to be this or that interacting with its apparent counterpart as this or that.

And what is, this infinite One expression expressing, can never do anything but, because it is not real. Like Pinocchio, it is coming to life. Character and drama is Its only possible manifestation.

To act is to draw out or forth, to stir up,” It is all a movement and a rest. The variety show that passes for a life lived. No giving or receiving, only the appearance of hands reaching, but never joining. Only merging, never separate. Appearing on the screen, for an instant. Nothing appearing as something(s).

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image by Andrew Ostrovsky

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image by Andrew Ostrovsky

 

Lose Something Every Day

 

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My white dog just escaped through the fence!

A man you detest has become president,

Or is no longer president.

An excuse, from either lane, you see.

Detestation is dodgy,

like the white dog, slipping through the fence.

Where do all my ideas go?

I see that to lose is either disaster, or impossible.

Or, call it artful.

One Art

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

BY ELIZABETH BISHOP